Your privacy

We use cookies to improve your experience on our site.

To find out more, read our privacy & cookies policy.

Functionality & Personalisation Cookies: Performance & Analytics Cookies:

Wayfinding Strategy & Design icon
Wayfinding Strategy & Design
National Maritime Museum image

National Maritime Museum

Wayfinding to encourage museum exploration and discovery

The style of the signage is easy to understand for a range of our visitors and the imagery works well to give an insight about gallery content. The team are not being asked as many questions about locations of galleries and how to reach the upper floors as the visitors are able to locate them using the wayfinding. 

Elizabeth Dixson - General Manager Royal Museums Greenwich

Services: Wayfinding Design, Behavioural Design

To support the opening of four new galleries opening in September 2018, Mima were contracted by Royal Museums Greenwich (RMG) to understand the holistic visitor experience, which would inform the development and design a new wayfinding scheme for National Maritime Museum in Greenwich, London.

Our Task

To support the opening of four new galleries opening in September 2018, Mima were contracted by Royal Museums Greenwich (RMG) to understand the holistic visitor experience, which would inform the development and design a new wayfinding scheme for National Maritime Museum in Greenwich, London.

The Front Of House staff all believe that the wayfinding in place is working as intended, encouraging visitors into the galleries on the upper floors."

Elizabeth Dixson - General Manager Royal Museums Greenwich
Inside the lobby of the National Maritime Museum. A square, black desk sits in the middle of the room and a member of staff is assisting a visitor in the distance. Maps of the museum floors are to the left, with a banner advertising 'The Great British Seaside' exhibition to the right. All elements are industrial in feel.
An image showing the welcome wall at the National Maritime Museum. The museum name is at the top of the white wall, in navy text, and a large video shows over multiple screens to the left. To the right, three visitors are standing facing the welcome map that Mima designed for the museum.
A moving image. Different pictograms, all with white on dark grey, show every second. There are toilet pictograms, vertical circulation ones, and ones relating to information and entertainment.

Our Solution

To begin our research and humanise the problems at hand, we talked with both staff and visitors. In response to these insights, a key part of our strategy was identifying these areas as a basic need and focusing on directing to entrances and onward travel.

We used a variety of ethnographic, qualitative methods to understand visitors and develop a holistic view of their experience within the museum. Behavioural observations helped to identify visitor pain points.Interviews with visitors gave us a deeper understanding of causes behind frustration or confusion with the building layout, such as: exhibitions or notable pieces they weren’t aware of, they had missed or couldn’t find; entrances, exits, vertical circulation and onward travel.

Image showing the flooring signage at the NMM, designed by Mima. Large numbers (1 and 2) cover the walkways of their respective floors, meaning they can be easily viewed from afar. The numbers are white on a dark grey background.
A close up of a textured, navy and turquoise Mima wayfinding sign at the National Maritime Museum. White arrows direct users forward and to the left for various exhibits and facilities, and a colour coded map with a pink 'You are here' label informs all of the layout of the museum floor.
A moving image, showing varying signage Mima designed for the National Maritime Museum. Each sign is navy with a turquoise header, and refers to layouts, facilities and exhibits available on the ground and first floors of the museum.

“Epic Exploration”

The scheme needed to align with Royal Museums Greenwich’s new brand strategy, launched in April 2017, positioning the museum as “an epic place of exploration”, and use this to help visitors to explore and immerse themselves in the experience.

A significant challenge was the architectural disconnect between the original museum building and extension. To improve the visitor experience, we needed to make the museum permeable, unite the two spaces and deliver epic exploration to visitors.

Key to the museums aims was showcasing the world-class collections and encouraging wider awareness, visitation and up-sell to the other Royal Museums Greenwich sites: Royal Observatory, Cutty Sark and Queen’s House.

Humanising the challenges

To begin our research and humanise the problems at hand, we talked with both staff and visitors. Feedback from the workshops highlighted that visitors struggled to find facilities, such as the toilets, and were often unaware that there were two entrances. In response to these insights, a key part of our strategy was identifying these areas as a basic need and focusing on directing to entrances and onward travel.

We used a variety of ethnographic, qualitative methods to understand visitors and develop a holistic view of their experience within the museum. Behavioural observations helped to identify visitor pain points. ‘Undercover’ work, such as asking visitors where to find specific things reinforced the insights from front-of-house staff that basic facilities were difficult to find. Interviews with visitors gave us a deeper understanding of causes behind frustration or confusion with the building layout, such as: exhibitions or notable pieces they weren’t aware of, they had missed or couldn’t find; entrances, exits, vertical circulation and onward travel.

This helped us to build a picture of the visitor experience, including before and after their museum visit as this impacts their experience. From arriving in the area, navigating to the museum, their exploration and discovery at the museum and onward travel or activities. This not only meant we could tell the story of the end-to-end journey but helped us understand NMM in context to the local Greenwich environment along with the other RMG sites.

Bold, Colourful Design

Uniquely for museum wayfinding, we took a bold, colourful approach. This is a clear departure from standard museum wayfinding that is usually text-based and reliant on mapping. The hierarchy of information on the signs was a very deliberate way of enticing visitors to explore, the imagery providing preview of what can be discovered in each gallery and nudging them through the museum.

The wayfinding design extended to digital screens and info desks at the entrances. Mima and the in-house design team co-designed the ‘Welcome Hubs’. These large-scale displays act as an access point to find out more about the museum offer with maps, along digital displays providing a list of ‘What’s on’.

These engaging hubs highlight the three other RMG sites, which are all within 15 minutes’ walk, and nudge visitors to continue their exploration and discovery with RMG. They linked to RMG’s website, connected the physical and digital experience of NMM.

A bespoke set of pictograms was designed for maximum legibility to align with NMM’s branding. RMG use the font Cera Pro for all their communications so the pictograms were designed to match the characteristics of Cera so they look and feel like an extension of the character set.

The Head of Marketing approved the wayfinding scheme design as an extension of the NMM brand, which was an important part of the brief.

The wayfinding needed to encourage visitors to do as maritime adventurers did before them: explore and discover. Inspired by the museum’s maritime heritage, the laser cut bespoke pattern on the aluminium backing echoes movement and fluidity through water. This acts as a pinboard system to mount multi-sized panels with 3D-printed fixing plugs, aligning to a square grid. This gives NMM flexibility to update or re-arrange panels, introduce digital signage or even donation touch points.

The project led to further work with RMG, including the wayfinding strategy and design for the Prince Philip Maritime Collections Centre and The Cutty Sark.

Other Case Studies